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new piece for Arepo ensemble
new piece for Arepo ensemble
A full length immersive experience concert piece, consisting of four parts, which will attempt to help the audience reconnect with their senses with the help of an immersive atmosphere created by four colors, four tastes, four textures and four musicians.
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DRAUGEN (2025)
DRAUGEN (2025)
A performance art installation created for reverberant spaces of former herring oil tanks at Melbu in Vesterålen – currently Norsk Fiskeindustrimuseum as part of Sommer Melbu 2025, commisioned by Nordland Akademi for Kunst og Vitenskap.
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READINGS FOR THE FUTURE (2024)
READINGS FOR THE FUTURE (2024)
What is the future for the human race? It’s one of the many questions this piece can help us reflect on with the help of 22 compositions created for each of the Major Arcana tarot cards.
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FLASKEPOST (2023)
FLASKEPOST (2023)
A distress message in a bottle, a scrap of paper, rolled up and set adrift. Exploring the depths of the ocean, and imagining the creatures and other things one can encounter. The piece also reflects on the ocean as a pathway for an enormous amounts of plastic waste that with the Gulf Stream, from all over the world, ends up in Lofoten.
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MY FAVOURITE PLACES – digital
MY FAVOURITE PLACES – digital
Digital version of “My Favourite Places”. Sound drives through Lofoten archipelago by a local artist. A non-tourist views of the epic natural surroundings with a deeper context. The world is your stage, and you play a part in it.
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GINNUNGAGAP (2022)
GINNUNGAGAP (2022)
In the cosmogenic story of Norse mythology life is created in Ginnungagap, the primordial void, as the cold winds of Niflheim (isaR) met with the hot sparks of Muspelheim (kauna), and life (laguR) was created. Sound exploration of a magical bind rune (combination rune) created based on isaR, kauna, and laguR from the Elder Futhark rune alphabeth.
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ALLE KVINNER ER DIRTY HORER (2019)
ALLE KVINNER ER DIRTY HORER (2019)
A series of video, sound and performance works exploring sex pressure, shame, #metoo, and sexual slang in digital culture.
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NO VISUAL (2018)
NO VISUAL (2018)
A performative work challenging the roles between “the ensemble” and “the composer”. The work also explores a non-instrumental sonic world of objects in our everyday lives – slightly amplified and processed with contact microphones.
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PRESSURE (2017)
PRESSURE (2017)
A social, sonic and visual exploration of “pressure”. Commissioned by the Norwegian ensemble asamisimasa for a national nyMusikk tour celebrating the 100-year anniversary of the Norwegian Society of Composers.