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NESLAND (2026)
NESLAND (2026)
An experimental film in which the soundtrack is performed using the film as a score. Filmed in Nesland, Lofoten, Norway, the moving image guides the sonic development by the sound of the stones, interpreting the coastal cliffs and tuned wine glasses becoming the movement of the ocean.
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PORTRAIT OF KILAN (2026)
PORTRAIT OF KILAN (2026)
Portrait of Kilan woven from discarded fishing ropes found on the beach in Kilan. Reconstruction of the beach view and local atmosphere from the plastic threads once considered trash.
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PÅ FISKETUR – EP COVER (2026)
PÅ FISKETUR – EP COVER (2026)
Artwork and EP cover design for ‘På fisketur; Melbu-Fiskebøl/Fiskebøl-Melbu’ is a collaboration by Lasse Marhaug & Trond Jervell, released by Autodidakt Ulyd in Norway.
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DEAR HUMANITY (2025)
DEAR HUMANITY (2025)
Dear Humanity is exploring the strained relationship between Nature and ever growing god complex of humanity. The artwork conveys the story through the epic imagery of nature paired with four different soundscapes to choose from, each creating a unique emotional response.
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SOUND SHAPES (2025)
SOUND SHAPES (2025)
A collection of ‘Sound Shapes’ – graphical scores for open nstrumentation, where Tine is capturing her sound imagination in the form of aquarell shapes on highest quality cotton paper. These artworks are part of ongoing research into visualisation of sounds.
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I FJÆRA (2024)
I FJÆRA (2024)
The tidal zone is an introvert place. The world is disappearing while you sink deeper and deeper observing smaller and smaller details.
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SOUND SHAPES (2024)
SOUND SHAPES (2024)
A collection of ‘Sound Shapes’ – graphical scores for open nstrumentation, where Tine is capturing her sound imagination in the form of aquarell shapes on highest quality cotton paper. These artworks are part of ongoing research into visualisation of sounds.
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NORDLYSET (2023)
NORDLYSET (2023)
Version with video. Can you hear the northern lights? Inspired by how electric particles from the sun collides with the atmosphere of the earth and become visible to the human eye as shapes and colors dancing over the sky.
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TWO SIDES OF THE RIVER (2023)
TWO SIDES OF THE RIVER (2023)
Collaboration with Pavlo Grazhdanskij. A follow-up to the same named artwork from a year earlier. Imagined by the artists, a call and response sound experience across the Pasvik river, which could not take place as planned because authorities in Nikel silenced one side of the performance due to the risk of a “snow storm”. One year later, the artists present a sad memory of the event.
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RITUAL FOR CHANGING TIMES: SPRING EQUINOX (2022)
RITUAL FOR CHANGING TIMES: SPRING EQUINOX (2022)
A concert performance ritual for times that are changing, and for potentially changing the times. It is my hope, that we – the human race – at some point will turn the course, regain our humility towards our surroundings, and move towards better times.
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ALLE KVINNER ER DIRTY HORER (2019)
ALLE KVINNER ER DIRTY HORER (2019)
A series of video, sound and performance works exploring sex pressure, shame, #metoo, and sexual slang in digital culture.
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CELLOLYDINSTALLASJON (2018)
CELLOLYDINSTALLASJON (2018)
Four retired cellos got a new life as a sound installation instrument suspended in metal wires in traditional fish drying racks in the Lofoten Islands, Norway.
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KOR TOK MÅSAN VEIEN? (2017)
KOR TOK MÅSAN VEIEN? (2017)
Where did the seagulls go? Collection of field recordings of seagulls from all over Norway interleaved with a collection of seagull stories from people living in the coastal zone on the Lofoten and Vesterålen islands.