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INSTRUMENTAL COMPOSITIONS
Readings for the Future (2024)
Open instrumentation. Commissioned and funded KUPP (Music Norway, Norsk Komponistforening, Talent Norge). Written for Tøyen Fil og Klafferi and Vanessa Massera. Nordlyst - Vinterfest i Andøy, Andenes, Norway
Flaskepost (2023)
For live electronics and instrumental performers. Commissioned by Music Norway on behalf of Northern Connections. Written for Red Note Ensemble. Sound Festival, Aberdeen, Scotland
Sound Choreographic Studies no. 2 (2023)
For three or more performers and video
Apotheosis (2023)
For contrabass clarinet, electric guitar, violoncello, double bass and video. Commissioned by Frequenz Festival. Written for Ensemble KNM Berlin. Frequenz Festival, Kiel, Germany
Sound Choreographic Studies no. 1 (2022)
For two or more performers
Ginnungagap (2022)
For viola and electronics. Commissioned by Hanna Hohti. Helsinki Festival, Kalliosali, Helsinki
Ritual for Changing Times Spring (2022)
For violin, viola and video. Created for Ritual Gatherings. Commissioned by Marco Fusi. World premiere performed by Bozhidar Benev and Ivaylo Angelov. Ritual Gatherings 2022, Kamchia Beach, Bulgaria
Stein I-III (2022)
For a wind instrument, a string instrument, and video. Commissioned by Mean Steel. Vinterfestuka 2022, Narvik Kulturhus, Norway
De ni bølgene (2021)
For flute, guitar, percussion, double bass, and video. Commissioned by aksiom. Kampen kirke, Oslo
Living Landscapes (2021)
For large ensemble, 8 channel live electronics and 2 channel video. Commissioned by BIT20. Grieghallen, Bergen
Ritual for Changing Times (2020)
For four+ performers and video. Commissioned by Lovemusic Collective. Digital premiere
En Tale (2019)
For voices. Commissioned by Oslo14 / nyMusikks Komponistgruppe. Oslo
Arctic Creatures: Repparfjord (2019)
For pierrot emsemble and video. Commissioned by nyMusikks Komponistgruppe / MolOt Ensemble. Nynorskens hus, Oslo
Organized Sound for Sounding Objects II: Metal and metal (2019)
For three performers and metal bowls. Commissioned by nyMusikks Komponistgruppe / Ensemble Parallax. Sentralen, Oslo
Organized Sound for Sounding Objects I: Metal and glass (2018)
For three performers, wine glasses and bowed glockenspiel. Commisssioned by SISU Percussion / nyMusikks Komponistgruppe. Ilios Festival, Harstad, Norway
For solo violin(ist) (2018)
For violinist, objects, and video. Commissioned by Herzbreakerz / Marco Fusi. That Damn Borderline, IAC, Malmø, Sweden
celloLYDverk (2018)
For sound installation and 6 cellists. Commissioned by Cellolyd festival. Reine, Lofoten, Norway
No visual (2018)
For ensemble, composer, objects and live electronics. Commissioned by Alpaca Ensemble / nyMusikks Komponistgruppe. Only Connect, Oslo
Pressure (2017)
For ensemble, objects, and video. Commissioned by asamisimasa for national nyMusikk tour. Various locations, Norway
Tid (2017)
For ensemble, objects, and stories. Commissioned by Lydenskab ensemble. Odder, Denmark
Periferi (2016)
For guitar, live electronics, and field recordings. Commissioned by Jakob Bangsø. Berlin International Guitar Festival, Berlin
Mørket (2017/16)
For string quartet and 5 speakers / string quartet and high order ambisonics sound / string octet and tape. Nordic Music Days, Reykjavik / MiSC, Vilinus / UNM Festival, Helsinki
So You Can Please (2016)
For four percussionists, sex toys, and text. Created at Darmstadt International Summer Course. Darmstadt, Germany
Livet (2016)
For choir. Vox Juventutis, Vilnius
Water (2016)
For piano trio and water samples. Drusko Manija Festival, Vilnius
Byen (2016)
For ensemble and video. Commissioned by asamisimasa / nyMusikks Komponistgruppe. Borealis Festival, Bergen
Ryolitt (2015)
For youth orchestra. Commissioned by Bømlo Kulturskole. Moster Kirke, Bømlo, Norway
Meetings and Greetings (2015)
For ensemble.
Hav + Nyksund (2014)
For cello and live-electronics. Vesterålen Matfestival, Nyksund, Norway
Toner i Bekken (2014)
For string trio and live electronics. Created for Fagerborg Festspillene. Oslo
Mørketid + Tarre + Eremitt (2013)
For cello, live electronics, and video. Nyksund, Norway
Til Domkirken (2012)
For string trio. Written for Sirenerne. Haderslev Cathedral, Denmark
Eventyr + Til Vesterålen + String suite no. 1 (2012)
For string trio. Written for Sirenerne. Reginedagan, Bø i Vesterålen, Norway
Bølgegang + Lucidity (2011)
For string trio. Written for Sirenerne. Haderslev, Denmark
Hugin (2005)
For string trio. Holstebro Orkesterefterskole, Denmark
ELECTRO ACOUSTIC COMPOSITIONS
The Lighthouse (2023)
High order ambisonics work. Created and presented as part of “Sonic Experiments 2023” at ZKM - Center for Art and Media, Karlsruhe
Havet (2023)
For live electronics. Only Connect Festival, Trondheim, Norway
Mørket (2013/22)
Stereo / high order ambisonics work.
Helnes I-III (2022)
Three stereo sound works. Collaboration with Emma Gunnarsson. Commissioned by nyMusikks Komponistgruppe. Lydgalleriet, Bergen, Norway
My Favourite Places (2022)
Audio guide + sound drive maps. Commissioned by LIAF - Lofoten International Art Festival. Curated by Francesco Urbano Ragazzi. Kabelvåg, Lofoten, Norway
Works for Listening (2017-)
High order ambisonics works. Created and presented at CCRMA (US) / EMS (SE) / Notam (NO) / Lydgalleriet (NO) / MISC (LT)
Works for Listening 1-10 (2021)
Debut CD released on SOFA Music
Midnight Sun Ritual (2020)
For live electronics, sounding objects, and video. Flakstad Mikrofestival, Lofoten, Norway
Desert Creatures: The Salton Sea (2019)
Video and spatial sound. Ultima Oslo Contemporary Music Festival, Oslo
Sonic Portrait: Skotfoss (2019)
For live electronics. Commissioned by Greenlight District curated by Jørgen Larsson. Greenlight District, Skien, Norway
Alle kvinner er dirty horer (2019)
Stereo work. Created for Arctic Arts Festival. Harstad, Norway
Seven works made in collaboration with Adam Parkinson (2019)
Collaboration with Adam Parkinson. For live electronics. Created by invitation and presented at BEK, Bergen, Norway
Wires (2018)
8 channel work. Commissioned by nyMusikks Komponistgruppe concert. Galleri Sagene Kunstsmie, Oslo
Layers (2015)
Stereo work.
Vanvart (2015)
Stereo work.
Immersed:Berlin (2013)
Live electronics work. Notam, Oslo
6 Bekker fra Vestlandet (2012)
Stereo work. Chosen for the UNM Festival 2013. IAC, Malmö, Sweden
Bøgeskov i efterår (2011)
Stereo work.
Monstrum (2011)
Stereo work.
Cactus (2011)
Stereo work.
Awakening (2011)
Stereo work.
INSTALLATION WORKS
Fyrtårnet (2024)
6 floor sound installation in a lighthouse. Created for Andøy Kommune / Nordlyst - Vinterfest i Andøy. Curated by Sindre Wolf. Andenes lighthouse, Andenes, Norway
Helnes (2022)
Artist book, photopolymer prints, graphic scores, wooden boxes, stones, headphones and sound. Collaboration with Emma Gunnarsson. Commissioned by nyMusikks Komponistgruppe. Lydgalleriet, Bergen, Norway
My Favourite Places (2022)
9 channel sound installation / audio guide, sound drive map. Commissioned by LIAF. Curated by Francesco Urbano Ragazzi. Kabelvåg, Lofoten, Norway
Portrait of Mrs. Alving (2022)
2 channel video and 4 channel sound installation. Commissioned by The JEDL Theatre Company. Gabriel Loci, Prague, Czech Republic
Alle kvinner er dirty horer (2019)
Video and sound installation. Solo exhibition. Created for Arctic Arts Festival. Harstad, Norway
Kroppspress (2019)
Video projection and 2 channel sound. Part of the group exhibition “Mørketida” curated by Kjetil Berge. Meieriet Kulturhus, Leknes, Norway
celloLYDinstallasjon (2018)
Sound installation. Commissioned by Cellolyd festival. Reine, Lofoten, Norway
We can’t save the world (2017)
Sound installation. Created for the “Montage is a heartbeat” group exhibition curated by Sue Kim. Multi-Cultural Artspace Haengwhatang, Seoul, South Korea
Kor tok måsan veien? (2017)
Audiovisual installation. Galleri Ariblå, Sortland, Norway
Works for Listening (2017)
Solo exhibition. Curated by Julie Lillelien Porter. Lydgalleriet, Bergen, Norway
Water and Stone (2017)
Sound work. Created for the “Drive In Sound Art Lofoten” exhibition curated by Tulle Ruth. Kartfjorden, Lofoten, Norway
SoundJourney (2015)
Sound installation. Vinterlydfestivalen, Oslo
Klangfarger for solo violin (2014)
Visual piece.
VIDEO WORKS
Apotheosis (2023)
For contrabass clarinet, electric guitar, violoncello, double bass and video. Commissioned by Frequenz Festival. Written for Ensemble KNM Berlin. Frequenz Festival, Kiel, Germany
Portrait of Mrs. Alving (2022)
Commissioned by The JEDL Theatre Company. Gabriel Loci, Prague, Czech Republic
Nuclear Creatures: Westlake Landfill (2021)
Part of NNBK’s 50 years anniversary group exhibition at various Northern Norwegian art galleries, Norway
Ritual for Changing Times (2020)
For four+ performers and video. Commissioned by Lovemusic Collective. Digital premiere
Midnight Sun Ritual (2020)
For live electronics, sounding objects, and video. Flakstad Mikrofestival, Lofoten, Norway
Fra trash til cash (2019)
Commisioned by Nordic Music Days. Part of the “Sad Truth” group exhibition curated by Bjarne Kvinnsland. Stormen kulturhus, Bodø, Norway
Desert Creatures: The Salton Sea (2019)
Video and spatial sound. Ultima Oslo Contemporary Music Festival, Oslo
Urban Slang (2019)
Created for Arctic Arts Festival. Harstad, Norway
Anonymous Confessions (2019)
Created for Arctic Arts Festival. Harstad, Norway
Embodiment (2019)
Created for Arctic Arts Festival. Harstad, Norway
Arctic Creatures: Repparfjord (2019)
Commissioned by nyMusikks Komponistgruppe. Nynorskens hus, Oslo
Kroppspress (2019)
Video and 2 channel sound. Part of the group exhibition «Mørketida» curated by Kjetil Berge. Meieriet Kultursenter, Leknes, Norway
This is the sound of a violin (2018)
Collaboration with Eira Bjørnstad Foss. Darmstadt Summer Course for New Music, Darmstadt, Germany
Dancing in the Midnight Sun (2018)
Darmstadt Summer Course for New Music, Darmstadt, Germany
Sunset Rising (2017)
Echofluxx ́17 festival, Prague, Czech Republic
The City (2015)
The Norwegian Academy of Music, Oslo
The Sun (2014)
nyMusikk, Oslo
LIVE PERFORMANCE WORKS
Havet (2023)
For live electronics. Only Connect Festival, Trondheim, Norway
Two Sides of the River (2022)
Collaboration with Pavlo Grazhdanskij. Commissioned by Barents Spektakel. Curated by Neal Cahoon / Pikene på Broen. Utnes, Norway / Nikel, Russia
Midnight Sun Ritual (2020)
For live electronics, sounding objects, and video. Flakstad Mikrofestival, Lofoten, Norway
Sonic Portrait: Skotfoss (2019)
For live electronics. Commissioned by Greenlight District curated by Jørgen Larsson. Greenlight District, Skien, Norway
Cleansing of shame ritual (2019)
For video, sound, and body. Created for Arctic Arts Festival. Harstad, Norway
Seven works made in collaboration with Adam Parkinson (2019)
For live electronics. Created by invitation and presented at BEK, Bergen
Object Session #5 (2017)
For live electronics. Potatoblossom Studio, Pyeongchang, South Korea
Object Session #3 (2017)
For live electronics. Labert Oppmøte Festival, Henningsvær, Norway
Object Session #1 (2017)
For live electronics. Sommer i Berlevåg, Berlevåg, Norway
Introvert Texture and Resonating Nature (2016)
For live electronics and video. LYDrørt festival, Lofoten, Norway
Soundtrip (2015)
For live electronics and video. By invitation from Nordic Music Days curated by Line Tjørnhøj. Nordic Music Days, Copenhagen
4 Stemninger fra Kysten (2015)
For live-electronics. Notam, Oslo
Immersed:Berlin (2015)
For live-electronics and video. Notam, Oslo
SOUND FOR SCENIC PRODUCTIONS
Holding Position (2021)
Original sound for dance performance. Commissioned by choreographer and dancer Thomas of Norway. Lofoten Kulturhus, Svolvær
You might like me better if we sleep together (2019)
Original sound for dance performance. Commissioned by choreographer and dancer Thomas of Norway. Lofoten Kulturhus, Svolvær, Norway
Until We Meet Again (2017)
Reworked sound for dance performance by choreographer and dancer Thomas of Norway. Lofoten Kulturhus, Svolvær, Norway
White String (2017)
Original sound for dance performance. Created with choreographers/dancers Irina Demina and Soodong Jung, and guitarist Patricio Noé Crom. National Theatre, Seoul
Is There (2017)
Original sound for dance performance by choreographers/dancers Nguyen Chung and Boram Jun. National Theatre, Seoul
Syndefaldet eftir William Heinesen (2014)
Original sound for theatre performance by actors Gunnva Zachariasen and Marita Dalsgaard. Faroe Islands
MISCELLANEOUS
My Favourite Places (2022)
Audio guide + sound drive maps. Commissioned by LIAF - Lofoten International Art Festival. Curated by Francesco Urbano Ragazzi. Kabelvåg, Lofoten, Norway
Vågakallen (2019)
Graphic score made with and performed by 100 5th graders from Lofoten. Svolvær, Lofoten
Soundwalk Potato Blossom Studio (2017)
Sound map / sound walk. Pyeongchang, South Korea (2017)
SoundDestination: Pyeongchang Online sound map. South Korea (2017)
SoundDestination: Berlevåg (2017)
Sound installation + online sound map. Villa Borealis, Berlevåg (NO)
Etikk (2017)
Text score based on text by Michel Mateos. Performed by inmates in Ila Prison, Norway
Kyst (2015)
Interactive sound Installation for eBook and webpage (DK)
DISCOGRAPHY
Mean Steel: It is (2023)
New composisions written for Mean Steel - featuring my work Stein I-III. Released on Finito Bacalao Records
Guitaristic Cyborx - works for guitar and electronics (live recording) (2023)
Compositions for guitar and live electronics performed by Jannis Wichmann - featuring my work Periferi.
Mørketid (2022)
Works by Arctic Atontal Assembly - featuring my work Mørket. Released on total division
Works for Listening 1-10 (2021)
Debut CD released on SOFA Music
Jakob Bangsø: Connect (2018)
Electronic works for guitar - featuring my work Periferi. Released on Dacapo
© 2023 Tine Surel Lange